Persistence of Vision: Women Reframing Animation Symposium

Animation is accessible in ways other mediums are not; it breaks down cultural, social and technical boundaries and as such has a distinctive potential as a tool for education, activism and engagement.

On Friday 28th June, Goldsmiths University hosted a one-day symposium, exploring, discussing and celebrating the radical potential of women in animation.

Curated by Ceiren Bell, a freelance Animator and convenor of the Integrated Degree in Media and Communications at Goldsmiths, the symposium provided an inclusive platform for academics, practitioner and students to investigate what it is about animation that attracts and gives space to radical ideas and concepts for social change.

Women in Animation

The event began with speaker Dr Caroline Ruddell presenting her keynote on ‘The Crafty Animator: Reveals, Conceals and the Hand of the Artist in Women’s Sand Animation.’ Ruddell gave insight into how gender is represented in craft, demonstrating the differences in how men and women are portrayed in ‘behind the scenes, making of’ films.

Sage Brice kicked off the first panel by discussing how vulnerability can also be considered as strength, with reference to her research ‘Becoming-Vulnerable: Drawing the Dissolution of Unitary Identity.’

Artist, Animator and Fat Activist Stacy Bias followed with, ‘Your Stories Are Moving: Animation and Affect in Addressing Stigma,’ with a screening of her excellent documentary animation ‘Flying While Fat.’

Women in Animation

Terry Wragg, member of the Leeds Animation Workshop, spoke about the organisation’s work throughout the years. Established in 1978, the Leeds Animation Workshopcontinues to produce and distributes animated films addressing social and emotional issues, including the women’s movement.

Women in Animation

The second panel, titled ‘Revolting Women,’ included brilliant talks by Writer and Visual Effects Artist Sunny Teich on ‘CGI Wizardry and Witchcraft’, Director and PhD student Sally Pearce on ‘Subversion in Women’s Animated Autobiography’, and Animation Director Kate Jessop on ‘Animation as Activism and Queer Representation.’

Women in Animation

The final panel, a roundtable chaired by Artist Animator Jessica Ashman, discussed ‘Alternative Animation Pathways’. Animation Directors, Sophie Koko Gate, Esther Ajibadeand Nush Naanayakkara spoke about their own career progressions, from triumphs to setbacks, and what advice they would give to their younger selves as newly graduated filmmakers.

For more information about the symposium, visit the closed Persistence of Vision facebook group and #povgold on Twitter.


























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